All Andrea Soldi Oil Paintings


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Andrea Soldi Man in Armour oil painting


Man in Armour
Painting ID::  3801
Artist: Andrea Soldi
Painting: Man in Armour
Introduction: Private Collection
   
   
     

 

 

 

 

 

 

 

Andrea Soldi Portrait of Thomas Sheppard oil painting


Portrait of Thomas Sheppard
Painting ID::  76754
Artist: Andrea Soldi
Painting: Portrait of Thomas Sheppard
Introduction: 1733(1733) Oil on canvas 53 1/2 x 39 1/2 in (135.9 x 100.3 cm) cjr
   
   
     

 

 

 

 

 

 

 

Andrea Soldi Portrait of Thomas Sheppard oil painting


Portrait of Thomas Sheppard
Painting ID::  79620
Artist: Andrea Soldi
Painting: Portrait of Thomas Sheppard
Introduction: 1733(1733) Medium Oil on canvas cyf
   
   
     

 

 

 

 

 

 

 


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     Check All Andrea Soldi's Paintings Here!
     Italian C1703-1771 Italian painter. George Vertue, the only source for Soldi's earliest years, described him in 1738 as a Florentine aged 'about thirty-five or rather more' who had been in England 'about two years'. He had previously been in the Middle East, where he painted some British merchants of the Levant Company who had advised him to go to London. Two three-quarter-length portraits called Thomas Sheppard (1733 and 1735-6; ex-art market, London, 1917 and 1924, see Ingamells, 1974) belong to this period. In London Soldi enjoyed considerable success in the period between 1738 and 1744; Vertue reported that he began 'above thirty portraits' between April and August 1738. He was extensively patronized by the 2nd and 3rd Dukes of Manchester (eight portraits, sold Kimbolton Castle, Cambs, 18 July 1949), the 3rd Duke of Beaufort (four portraits at Badminton House, Glos) and the 4th Viscount Fauconberg (eight portraits at Newburgh Priory, N. Yorks). The seated three-quarter-length of Isabella, Duchess of Manchester, as Diana (1738; London, Colnaghi's, 1986) and the informal full-length of Lord Fauconberg (c. 1739; Newburgh Priory, N. Yorks) exemplify his lively handling, strong colour and theatrical, Italianate imagination. In a less extravagant vein, the Duncombe Family (1741; priv. col., see Ingamells, 1974), a conversation piece of some charm, and the Self-portrait (1743; York, C.A.G.) suggest a versatile talent. Soldi's bravura contrasted with contemporary English portrait practice, then wavering between the sober manner of Kneller and a playful Rococo, and his attraction for Italianate Englishmen was obvious. He was rivalled only by Jean-Baptiste van Loo, who was in London between 1737 and 1742; both artists painted the dealer Owen McSwiny and the poet Colley Cibber about 1738. He far outclassed his Italian rivals, the Cavaliere Rusca (1696-1769), who worked in London from 1738 to 1739, and Andrea Casali, who was in London from 1741 to 1766. . Related Artists to Andrea Soldi : | Frank O-Meara | Jean Paul Selinger | Master of the observanza Triptych | Henry Moret | ZIMMERMANN Johann Baptist |

 

 

 

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